<?xml version="1.0" encoding="utf-8"?>
<!-- If you are running a bot please visit this policy page outlining rules you must respect. http://www.livejournal.com/bots/ -->
<feed xmlns="http://www.w3.org/2005/Atom" xmlns:lj="http://www.livejournal.com">
  <id>urn:lj:livejournal.com:atom1:butorina</id>
  <title>in Art we trust</title>
  <subtitle>Катя Буторина</subtitle>
  <author>
    <name>Катя Буторина</name>
  </author>
  <link rel="alternate" type="text/html" href="http://butorina.livejournal.com/"/>
  <link rel="self" type="text/xml" href="http://butorina.livejournal.com/data/atom"/>
  <updated>2009-06-16T16:59:10Z</updated>
  <lj:journal userid="13067597" username="butorina" type="personal"/>
  <link rel="service.feed" type="application/x.atom+xml" href="http://butorina.livejournal.com/data/atom" title="in Art we trust"/>
  <link rel="hub" href="http://pubsubhubbub.appspot.com/"/>
  <entry>
    <id>urn:lj:livejournal.com:atom1:butorina:10172</id>
    <link rel="alternate" type="text/html" href="http://butorina.livejournal.com/10172.html"/>
    <link rel="self" type="text/xml" href="http://butorina.livejournal.com/data/atom/?itemid=10172"/>
    <title>самой лучшей женщине в мире</title>
    <published>2009-06-16T16:59:10Z</published>
    <updated>2009-06-16T16:59:10Z</updated>
    <content type="html">Ты всегда была рядом, даже когда я вела себя возмутительно.&lt;br /&gt;И когда я вела себя ужасно, ты тоже была рядом.&lt;br /&gt;И когда я ничего не умела и ничего не знала - ты знала и умела и делала для меня.&lt;br /&gt;И все те радостные моменты, что мы проживали вместе - они казались длинными, должными, нескончаемыми.&lt;br /&gt;Но они подошли к концу.&lt;br /&gt;А я сегодня специалист коммерции в области внешнеэкономических связей со знанием иностранных языков!&lt;br /&gt;Спасибо тебе за это!&lt;br /&gt;Но главное за то, что ты всегда была рядом и помогала мне расти!&lt;br /&gt;Это были восхитительные шесть лет поиска, стремлений, удивительных находок, первого успеха и нового понимания всего.&lt;br /&gt;Я буду всегда-всегда нести это в себе.&lt;br /&gt;Я тебя люблю!&lt;br /&gt;&lt;br /&gt;&lt;br type="_moz" /&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:butorina:9843</id>
    <link rel="alternate" type="text/html" href="http://butorina.livejournal.com/9843.html"/>
    <link rel="self" type="text/xml" href="http://butorina.livejournal.com/data/atom/?itemid=9843"/>
    <title>butorina @ 2009-05-05T13:32:00</title>
    <published>2009-05-05T09:45:38Z</published>
    <updated>2009-05-05T12:04:33Z</updated>
    <content type="html">на улице почти лето, почти жарко.&lt;br /&gt;в метро вены нестерпимо жарко - у них плохо с вентиляцией, и получатся парниковый эффект.&lt;br /&gt;а на станции штефансплатз удушливый воздух перемешивается с запахом конского навоза от лошадей в упряжках, расставленных вокруг штефансдома.&lt;br /&gt;и самое большое потрясение - это когда поднимаешься в едва живом состоянии из подземки по эскалатору с мечтой о глотке свежего воздуха - и он выносит тебя под стеклянный купол недвижимой жары, туристов, смрада.&lt;br /&gt;я не тоскую по вене - она была и ушла прочь.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:butorina:9506</id>
    <link rel="alternate" type="text/html" href="http://butorina.livejournal.com/9506.html"/>
    <link rel="self" type="text/xml" href="http://butorina.livejournal.com/data/atom/?itemid=9506"/>
    <title>Руководство для тех, кто хочет стать счастливым в своей стране</title>
    <published>2009-04-15T18:22:31Z</published>
    <updated>2009-04-15T18:25:29Z</updated>
    <content type="html">Я живу то тут, то там.&amp;nbsp;&lt;br /&gt;Я говорю на двух языках. Год в Европе. Бизнес-школа. Три начальника-француза. Четыре немца. Триста друзей на фейсбуке. &amp;nbsp;Значительная часть семьи за границей.&amp;nbsp;Вопрос, где же жить - тут или там - я задала себе не меньше 10 000 раз.&lt;br /&gt;Думаю, я эксперт в этом вопросе.&lt;br /&gt;&lt;br /&gt;Немалое количество времени, после каждого приезда, я представляла ту заурядную часть общества, что сокрушается об отъезде, тоскует по &amp;quot;как там&amp;quot; и просто несчастлив.&lt;br /&gt;&lt;br /&gt;Теперь о том, как человеку с интернэшнл профайлом перестать ныть и стать счастливым дома.&lt;br /&gt;&lt;br /&gt;1. Устройте свою жизнь&lt;br /&gt;&lt;br /&gt;а) зарабатывайте. это позволит вам уравновесить отношения с родственниками, а также с друзьями&lt;br /&gt;б) делайте интересную работу. работа занимает полжизни - проживайте ее в нормальном настроении&lt;br /&gt;в) наладьте свою личную жизнь. пусть она не мешает вам быть личностью&lt;br /&gt;&lt;br /&gt;Когда вы устроете свою жизнь, вполне возможно, что вам уже никуда не захочется. если тесно, переходите к пункту 2&lt;br /&gt;&lt;br /&gt;2. Используйте свой интернэшнл профайл&lt;br /&gt;&lt;br /&gt;а) на работе говорите на языках. так вам перестанет казаться, что вы зря учились не покладая рук в инязе&lt;br /&gt;б) читайте утром ft.com. ничто, кроме лени, не мешает вам быть &amp;quot;как они&amp;quot;. будьте воспитанным. не мусорьте на улице. извиняйтесь, если кого-то толкнули. придерживате двери.&lt;br /&gt;в) дружите с иностранцами. благо в россии их много и видно издалека&lt;br /&gt;&lt;br /&gt;Есть еще пункт 3 для тех, кто совсем отчаянно хотел уехать&lt;br /&gt;&lt;br /&gt;3. Станьте очень важным человеком для своей страны&lt;br /&gt;&lt;br /&gt;а) станьте социально активным. приносите пользу соседям, детям из соседнего детдома, природе под угрозой исчезновения&amp;nbsp;&lt;br /&gt;б) цените свою историю и культуру. наслаждайтесь в одиночку, делитесь с друзьями, несите в массы&lt;br /&gt;в)&amp;nbsp;прекратите общаться с теми, кто ноет,&amp;nbsp;что в стране все плохо. они неудачники&lt;br /&gt;&lt;br /&gt;Пора пора научиться жить дома. В конце концов этому придется научиться, где бы ни был этот дом. кажется, если не научиться, дома не будет нигде.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:butorina:9319</id>
    <link rel="alternate" type="text/html" href="http://butorina.livejournal.com/9319.html"/>
    <link rel="self" type="text/xml" href="http://butorina.livejournal.com/data/atom/?itemid=9319"/>
    <title>butorina @ 2009-03-22T22:22:00</title>
    <published>2009-03-22T19:24:24Z</published>
    <updated>2009-03-22T19:24:24Z</updated>
    <content type="html">&amp;nbsp;я против нового фильма по первому каналу про войну с Грузией!!!!!!!!!&lt;br /&gt;Мне стыдно, что моя страна снимает такие фильмы!!!!&lt;br /&gt;Грузия и Россия - это братские народы, вне политики.&lt;br /&gt;&lt;br type="_moz" /&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:butorina:8966</id>
    <link rel="alternate" type="text/html" href="http://butorina.livejournal.com/8966.html"/>
    <link rel="self" type="text/xml" href="http://butorina.livejournal.com/data/atom/?itemid=8966"/>
    <title>butorina @ 2009-02-20T02:57:00</title>
    <published>2009-02-20T00:09:42Z</published>
    <updated>2009-02-20T00:12:56Z</updated>
    <content type="html">Как было бы здорово,&amp;nbsp;если бы я научилась вставать утром в 6.30!&lt;br /&gt;Я бы успевала сделать фитнес, принять контрастный душ, поговорить с мамой за только что сваренной геркулесовой кашей, выпить свежевыжатого сока из двух апельсинов, трех мандаринов,&amp;nbsp;половины лимона и четверти грейпфрута.&lt;br /&gt;Далее я бы проверяла почту, пробегала глазами ft.com, распечатывала directions с google map для утренних встреч и переписывала имена и номера телефонов с gmail в ежедневник.&lt;br /&gt;Я бы закачивала в ipod новые треки, чтобы слушать их по дороге в офис, и позволяла бы себе целый час на утренний dress-up (из них 20 минут на укладку).&lt;br /&gt;И вот, наконец, бодрая, свежая, в приподнятом настроении, я бы заходила в офис, как швейцарский часовщик, ровно в 10-00.&lt;br /&gt;Брависсимо - ни минуты опоздания.&lt;br /&gt;Пойду спать. Время 3-07. Интресно, завтра получится встать в 6-30?</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:butorina:8885</id>
    <link rel="alternate" type="text/html" href="http://butorina.livejournal.com/8885.html"/>
    <link rel="self" type="text/xml" href="http://butorina.livejournal.com/data/atom/?itemid=8885"/>
    <title>butorina @ 2009-01-27T02:27:00</title>
    <published>2009-01-26T23:37:09Z</published>
    <updated>2009-01-26T23:38:35Z</updated>
    <content type="html">Спроси меня&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: tahoma; font-size: 11px; line-height: 13px; "&gt;&amp;mdash;&amp;nbsp;&lt;/span&gt;&amp;nbsp;Людовики или Муха?&lt;br /&gt;И я без тени сомнения отвечу&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: tahoma; font-size: 11px; line-height: 13px; "&gt;&amp;mdash;&amp;nbsp;&lt;/span&gt;&amp;nbsp;Людовики &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://pics.livejournal.com/butorina/pic/0002pqkz/"&gt;&lt;img width="240" height="240" border="1" alt="" src="http://pics.livejournal.com/butorina/pic/0002q5ty/s320x240" /&gt;&lt;img width="262" height="240" border="1" alt="" src="http://pics.livejournal.com/butorina/pic/0002pqkz/s320x240" /&gt;&lt;/a&gt;&lt;br type="_moz" /&gt; &lt;br /&gt; &lt;br /&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:butorina:8600</id>
    <link rel="alternate" type="text/html" href="http://butorina.livejournal.com/8600.html"/>
    <link rel="self" type="text/xml" href="http://butorina.livejournal.com/data/atom/?itemid=8600"/>
    <title>butorina @ 2009-01-25T19:13:00</title>
    <published>2009-01-25T16:36:31Z</published>
    <updated>2009-01-25T16:36:31Z</updated>
    <content type="html">Барак Обама мой личный герой.&lt;br /&gt;Демократия - это великая, величайшая ценность современного общества!&lt;br /&gt;В нашей стране мы методично ее закапываем.  Давит этот низкий потолок российской политики твердолобости, ограничености, безыдейности.&lt;br /&gt;Напротив, американские 50 звезд и 13 полос вновь вызывают во мне гордость, веру.&lt;br /&gt;Я верю в человеческое достоинство как высшую ценность, в справедливость без границ.&lt;br /&gt;Я верю, что каждый из нас должен охранять и нести в себе права человека, равенство и свободу.&lt;br /&gt;Я верю, что демократия - единственный правильный путь двадцать первого века.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://pics.livejournal.com/butorina/pic/0002hctc/"&gt;&lt;img width="320" height="235" border="0" alt="" src="http://pics.livejournal.com/butorina/pic/0002hctc/s320x240" /&gt;&lt;/a&gt; &lt;a href="http://pics.livejournal.com/butorina/pic/0002ks3a/"&gt;&lt;img width="185" height="235" border="0" alt="" src="http://pics.livejournal.com/butorina/pic/0002ks3a/s320x240" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/I_have_a_dream"&gt;I have a dream that one day on the red hills of Georgia the sons of former slaves and the sons of former slave owners will be able to sit down together at a table of brotherhood.&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://news.yahoo.com/s/ap/20090120/ap_on_go_pr_wh/inauguration_obama_text"&gt;This is the meaning of our liberty and our creed &amp;mdash; why a man whose father less than sixty years ago might not have been served at a local restaurant can now stand before you to take a most sacred oath.&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:butorina:8275</id>
    <link rel="alternate" type="text/html" href="http://butorina.livejournal.com/8275.html"/>
    <link rel="self" type="text/xml" href="http://butorina.livejournal.com/data/atom/?itemid=8275"/>
    <title>David Ogilvy quotes: my Magna Carta of Advertisement</title>
    <published>2008-01-17T00:03:06Z</published>
    <updated>2008-01-17T00:12:56Z</updated>
    <content type="html">&lt;a href="http://pics.livejournal.com/butorina/pic/0002g4ge/"&gt;&lt;img src="http://pics.livejournal.com/butorina/pic/0002g4ge/s320x240" width="174" height="240" align="left" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;1. A good advertisement is one which sells the product without drawing attention to itself. &lt;br /&gt;2. Advertising is only evil when it advertises evil things. &lt;br /&gt;3. Advertising people who ignore research are as dangerous as generals who ignore decodes of enemy signals. &lt;br /&gt;4. Advertising reflects the mores of society, but it does not influence them. &lt;br /&gt;5. Develop your eccentricities while you are young. That way, when you get old, people won't think you're going gaga. &lt;br /&gt;6. Every advertisement should be thought of as a contribution to the complex symbol which is the brand image. &lt;br /&gt;7. First, make yourself a reputation for being a creative genius. Second, surround yourself with partners who are better than you are. Third, leave them to go get on with it. &lt;br /&gt;8. Good copy can't be written with tongue in cheek, written just for a living. You've got to believe in the product. &lt;br /&gt;9. I don't know the rules of grammar. If you're trying to persuade people to do something, or buy something, it seems to me you should use their language. &lt;br /&gt;10. I have a theory that the best ads come from personal experience. Some of the good ones I have done have really come out of the real experience of my life, and somehow this has come over as true and valid and persuasive. &lt;br /&gt;11. I notice increasing reluctance on the part of marketing executives to use judgment; they are coming to rely too much on research, and they use it as a drunkard uses a lamp post for support, rather than for illumination. &lt;br /&gt;12. If each of us hires people smaller than we are, we shall become a company of dwarfs. &lt;br /&gt;13. If it doesn't sell, it isn't creative. &lt;br /&gt;14. In the modern world of business, it is useless to be a creative, original thinker unless you can also sell what you create. &lt;br /&gt;15. It takes a big idea to attract the attention of consumers and get them to buy your product. Unless your advertising contains a big idea, it will pass like a ship in the night. I doubt if more than one campaign in a hundred contains a big idea. &lt;br /&gt;16. Leaders grasp nettles. &lt;br /&gt;17. Never stop testing, and your advertising will never stop improving. &lt;br /&gt;18. Ninety-nine percent of advertising doesn't sell much of anything. &lt;br /&gt;19. On the average, five times as many people read the headline as read the body copy. When you have written your headline, you have spent eighty cents out of your dollar. &lt;br /&gt;20. The advertisers who believe in the selling power of jingles have never had to sell anything. &lt;br /&gt;21. The best ideas come as jokes. Make your thinking as funny as possible. &lt;br /&gt;22. The consumer isn't a moron; she is your wife. &lt;br /&gt;23. What you say in advertising is more important than how you say it.&lt;br /&gt;&lt;br /&gt;David Ogilvy&lt;/em&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:butorina:7886</id>
    <link rel="alternate" type="text/html" href="http://butorina.livejournal.com/7886.html"/>
    <link rel="self" type="text/xml" href="http://butorina.livejournal.com/data/atom/?itemid=7886"/>
    <title>More about books on art that I enjoy</title>
    <published>2007-12-22T11:57:58Z</published>
    <updated>2008-01-15T15:41:10Z</updated>
    <content type="html">I'm studying economics, business strategy and marketing, so it's clear that I'm an art-amateur. So the books I'm looking for are not those for the experts, but for the art-lovers.&lt;br /&gt;&lt;br /&gt;While the difficulty of choice in the fiction department is often caused by the variety of choice, getting a book on art can often be difficult because of the not systematized way of publishing. Unfortunately this mistake is sometimes being done in editions for amateurs. The fact is that you can not publish a book on Renaissance without saying what Medieval Times were like and it's impossible to print a book on Lalique jewelry without explaining the main ideas of Art Nouveau and why it was over so quickly. Unfortunately, some experts forget about these introductions and conclusions, which makes reading almost useless if you are not experienced enough in world history and history of art.&lt;br /&gt;&lt;br /&gt;That's why the main goal of my visits to bookshops and amazon.com is to find a book that would not only tell me about a certain master or period of history, but would also provide me with an opportunity of using this information as a reference book. This is the most important criterion for me and books like that can be found more frequently abroad than in Russia. I'm going to tell you more about them.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:butorina:7566</id>
    <link rel="alternate" type="text/html" href="http://butorina.livejournal.com/7566.html"/>
    <link rel="self" type="text/xml" href="http://butorina.livejournal.com/data/atom/?itemid=7566"/>
    <title>Maria Callas and her Pygmalion</title>
    <published>2007-12-21T22:21:52Z</published>
    <updated>2007-12-21T22:30:25Z</updated>
    <content type="html">Sotheby's, 12 Dec 07 &lt;br /&gt;Sale Total: 1,766,228 EUR &lt;br /&gt;Milano&lt;br /&gt;&lt;br /&gt;&lt;a href="http://pics.livejournal.com/butorina/pic/00028bxe/"&gt;&lt;img src="http://pics.livejournal.com/butorina/pic/00028bxe/s320x240" border="0" /&gt;&lt;/a&gt; &lt;img src="http://pics.livejournal.com/butorina/pic/0002bfqg/s320x240" width="189" height="240" border="0" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://pics.livejournal.com/butorina/pic/00029fc6/"&gt;&lt;img src="http://pics.livejournal.com/butorina/pic/00029fc6/s320x240" border="0" /&gt;&lt;/a&gt; &lt;a href="http://pics.livejournal.com/butorina/pic/0002arfs/"&gt;&lt;img src="http://pics.livejournal.com/butorina/pic/0002arfs/s320x240" width="179" height="240" border="0" /&gt;&lt;/a&gt; &lt;a href="http://pics.livejournal.com/butorina/pic/0002bfqg/"&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://pics.livejournal.com/butorina/pic/0002c3a1/"&gt;&lt;img src="http://pics.livejournal.com/butorina/pic/0002c3a1/s320x240" width="313" height="240" border="0" /&gt;&lt;/a&gt; &lt;a href="http://pics.livejournal.com/butorina/pic/0002d82b/"&gt;&lt;img src="http://pics.livejournal.com/butorina/pic/0002d82b/s320x240" width="227" height="240" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;A great marvelous collection of Maria Callas photos and belongings.&lt;br /&gt;Why Maria Callas? &lt;br /&gt;In the 50's she was the one to give new life to opera, which was out of fashion. Thanks to MC, it became prestigious again. &lt;br /&gt;"Her repertoire ranged from classical opera seria to the bel canto operas of Donizetti, Bellini, and Rossini, and further, to the works of Verdi and Puccini, and in her early career, the music dramas of Wagner. Her remarkable musical and dramatic talents led to her being hailed La Divina."&lt;/a&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:butorina:7248</id>
    <link rel="alternate" type="text/html" href="http://butorina.livejournal.com/7248.html"/>
    <link rel="self" type="text/xml" href="http://butorina.livejournal.com/data/atom/?itemid=7248"/>
    <title>My Top 10 Sotheby's Departments</title>
    <published>2007-12-20T23:51:55Z</published>
    <updated>2007-12-20T23:51:55Z</updated>
    <content type="html">1. Contemporary Art&lt;br /&gt;2. Impressionist and Modern Art&lt;br /&gt;3. Marine Paintings and Nautical Works of Art&lt;br /&gt;4. Photographs&lt;br /&gt;5. Russian Paintings and Works of Art and Faberge and Icons&lt;br /&gt;6. 19th Century Furniture and Decorative Works of Art&lt;br /&gt;7. 20th Century Decorative Arts and Design&lt;br /&gt;8. Decorative Arts and Jewelry Department&lt;br /&gt;9. Atlases and Maps and Natural History and Travel&lt;br /&gt;10. Wine</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:butorina:6940</id>
    <link rel="alternate" type="text/html" href="http://butorina.livejournal.com/6940.html"/>
    <link rel="self" type="text/xml" href="http://butorina.livejournal.com/data/atom/?itemid=6940"/>
    <title>Van Gogh's Dream and a reason why I dare to dream</title>
    <published>2007-12-20T22:50:13Z</published>
    <updated>2007-12-20T22:59:45Z</updated>
    <content type="html">"One day or another I feel I can manage an exhibition of my own in a cafe"&lt;br /&gt;&lt;br /&gt;&lt;lj-embed id="11" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;This is a video of an association, that wants to make the last dream of Van Gogh come true and finally place one of his works in a cafe he frequented.  The idea is to attract people who would donate to vangoghsdream.org to buy out one of his masterpieces, which hasn't been sold at Sotheby's recently. &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;It's all about the dream. The modest dream of Van Gogh made me feel I will manage to do whatever I dare to dream about. A very personal video for everybody.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:butorina:6439</id>
    <link rel="alternate" type="text/html" href="http://butorina.livejournal.com/6439.html"/>
    <link rel="self" type="text/xml" href="http://butorina.livejournal.com/data/atom/?itemid=6439"/>
    <title>butorina @ 2007-10-14T04:39:00</title>
    <published>2007-10-14T00:43:51Z</published>
    <updated>2007-10-14T00:44:48Z</updated>
    <content type="html">Delacroix, Gros, Gericault, Ingres, David..... I never have enough time in Louvre, last month I visited the grands formats twice.&lt;br /&gt;&lt;br /&gt;A big painting is a big story: those that make you step backwards to appreciate their greatness are of a particular interest to me. The most outstanding painting in Salle 34 is, with no doubt, La Mort de Sardanapale, 1827, by Eugene Delecroix.&lt;br /&gt;&lt;br /&gt;&lt;img src="http://upload.wikimedia.org/wikipedia/commons/3/33/Eugène_Delacroix_-_La_Mort_de_Sardanapale.jpg" /&gt;&lt;br /&gt;&lt;br /&gt;A great story by Lord Byron leaves me alone with my imagination</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:butorina:6323</id>
    <link rel="alternate" type="text/html" href="http://butorina.livejournal.com/6323.html"/>
    <link rel="self" type="text/xml" href="http://butorina.livejournal.com/data/atom/?itemid=6323"/>
    <title>Les Chateaux Vaudois</title>
    <published>2007-07-31T13:40:35Z</published>
    <updated>2007-07-31T13:50:24Z</updated>
    <content type="html">My Dad lives in Nyon &lt;em&gt;(«Noviodunum» - le centre urbain de la Colonia Iulia Equestris fondée vers 45 av. J.-C. pour accueillir des vétérans de l'armée de Jules César&lt;/em&gt;), a small town not far away from Geneve. It's famous for being founded by Cesar and as a location of the UEFA headquaters. &lt;br /&gt;Nyon is situated in canton de Vaud that has at least a dozen of marvellous castles, that make my heart leap. &lt;br /&gt;&lt;br /&gt;My passion for castles appeared in Austria, where I first visited an outstanding renaissance schloss &lt;a href="http://www.rosenburg.at/frameset.htm"&gt;&lt;font color="#000080"&gt;Rosenburg&lt;/font&gt;&lt;/a&gt;, furbished in Spanish style thanks to the Goyos family that owns the castle since the end of the 17th century. &lt;br /&gt;I enjoy visiting castles because they cover broadly several fields at a time: history, archtecture, applied and fine arts, culture, customs and traditions, mode de vie........ &lt;br /&gt;&lt;br /&gt;&lt;img alt="" src="http://pics.livejournal.com/butorina/pic/00023e99" /&gt; &lt;br /&gt;&lt;br /&gt;As for canton de Vaud, I have only visited &lt;a href="http://www.chillon.ch/"&gt;&lt;font color="#000080"&gt;Chateau de Chillon&lt;/font&gt;&lt;/a&gt; so far, and what is of a special value for me is that it is completely furbished and has a rich collection of antique furniture and weapons. Now I would like to choose &lt;a href="http://www.swisscastles.ch/vaud/defaultbis.htm"&gt;&lt;font color="#000080"&gt;another one&lt;/font&gt;&lt;/a&gt; for my next visit to Switzerland this week. &lt;br /&gt;&lt;br /&gt;&lt;img alt="" src="http://pics.livejournal.com/butorina/pic/00026geh" /&gt; &lt;br /&gt;&lt;a name="cutid1"&gt;&lt;/a&gt; &lt;br /&gt;&lt;img alt="" src="http://pics.livejournal.com/butorina/pic/00027k4h" /&gt; &lt;br /&gt;&lt;br /&gt;&lt;img alt="" src="http://pics.livejournal.com/butorina/pic/000249rp" /&gt; &lt;br /&gt;&lt;br /&gt;&lt;img alt="" src="http://pics.livejournal.com/butorina/pic/00025zpz" /&gt; &lt;br /&gt;&lt;br /&gt;Here are my personal &lt;u&gt;Top 5 Castles between Lac Leman et Lac de Neuchatel&lt;/u&gt;: &lt;br /&gt;&lt;br /&gt;1)&lt;table cellspacing="1" cellpadding="1" width="600" summary="" border="1"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td&gt;&lt;img height="191" alt="" width="300" src="http://www.swisscastles.ch/vaud/Coppet/coppetphoto/facade.JPG" /&gt;&lt;/td&gt;&lt;td&gt;&lt;a href="http://www.swisscastles.ch/vaud/Coppet/default.htm"&gt;&lt;font color="#000080"&gt;Le château de Coppet&lt;/font&gt;&lt;/a&gt; &lt;br /&gt;"Selon une tradition confirmée par un document ancien, la construction du château remonterait à l'époque de Pierre de Savoie, mort en 1268. Elle se serait achevée sous l'un de ses successeurs, les Villars. Coppet est la seule demeure de la région lémanique encore en mains privées, ayant conservé tous ses meubles, objets d'art, tableaux et souvenirs de famille. Ce n'est pas un musée mais une propriété familiale ouverte au public qui appréciera d'oublier notre époque pendant une heure pour découvrir l'atmosphère des XVIIIème et XIXème siècles". &lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;br /&gt;2) &lt;table cellspacing="1" cellpadding="1" width="600" summary="" border="1"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td&gt;&lt;img height="277" alt="" width="300" src="http://www.swisscastles.ch/vaud/prangins/photos/pranginsmns1.jpg" /&gt;&lt;/td&gt;&lt;td&gt;&lt;a href="http://www.musee-suisse.com/f/index_prangins2.html"&gt;&lt;font color="#000080"&gt;Pranguins &lt;/font&gt;&lt;br /&gt;&lt;/a&gt;"Un château sorti d'un livre de contes, des parcs romantiques, un site enchanteur qui surplombe le lac Léman... C'est dans ce cadre plein de charme que le visiteur découvre ou redécouvre l'histoire de la Suisse aux XVIIIe et XIXe siècles. Construit dans le style français des années 1730, le Château de Prangins a vécu une histoire mouvementée: seigneurie, demeure princière, école, habitation. Finalement, il est offert à la Confédération par les cantons de Vaud et Genève, afin de devenir un musée national. &lt;br /&gt;L'allée principale traverse un superbe parc à l'anglaise, à partir duquel le Léman et les Alpes s'offrent à la vue du visiteur. Le jardin potager, lui, est un véritable conservatoire vivant des fruits et légumes du XVIIIe siècle. Sa restauration s'inspire de différents textes d'époque". &lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;br /&gt;3) &lt;table cellspacing="1" cellpadding="1" width="600" summary="" border="1"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td&gt;&lt;img height="225" alt="" width="300" src="http://castrum.chez-alice.fr/congres2007/images/4_5_Nyons_chateau.jpg" /&gt;&lt;/td&gt;&lt;td&gt;&lt;a href="http://www.chateaudenyon.ch/"&gt;&lt;font color="#000080"&gt;Nyon&lt;/font&gt;&lt;/a&gt; &lt;br /&gt;"Probablement construit à l'emplacement d'une ancienne maison forte des seigneurs de Cossonay-Prangins, le Château de Nyon servit de résidence aux comtes, puis ducs de Savoie, de siège aux autorités bernoises, avant d'être racheté par la Commune de Nyon en 1804.&lt;br /&gt;&lt;br /&gt;Le Château abrite un Musée historique depuis 1888. Il présente aujourd'hui une riche collection de porcelaines et de faïences représentatives de la production renommée des manufactures de Nyon, du XVIIIe au XXe siècle".&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;br /&gt;4) &lt;table cellspacing="1" cellpadding="1" width="600" summary="" border="1"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td&gt;&lt;img height="260" alt="" width="300" src="http://www.swisscastles.ch/vaud/aigle/aigle1.JPG" /&gt;&lt;/td&gt;&lt;td&gt;&lt;a href="http://www.swisscastles.ch/vaud/aigle/default.htm"&gt;&lt;font color="#000080"&gt;Aigle&lt;/font&gt;&lt;/a&gt;&lt;font color="#000080"&gt; &lt;br /&gt;&lt;/font&gt;"En plein vignoble se dresse l'imposant Château d'Aigle, forteresse édifiée au XIIe siècle par la Savoie et remaniée par les Bernois dès la fin du XVe siècle. &lt;br /&gt;&lt;br /&gt;Depuis 1976, le &lt;a href="http://www.swisscastles.ch/vaud/aigle/museevin.html"&gt;Musée de la vigne et du vin&lt;/a&gt; y a trouvé un cadre prestigieux pour ses collections qui sauvegardent le patrimoine vigneron et les traditions culturelles du vin. &lt;br /&gt;En face du Château, la Maison de la Dîme, datée de 1587, abrite le &lt;a href="http://www.swisscastles.ch/vaud/aigle/museeetiquette.html"&gt;Musée international de l'étiquette&lt;/a&gt; qui raconte 200 ans d'histoire de l'étiquette de vin et son étonnante diversité iconographique de par le monde".&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;5) &lt;table cellspacing="1" cellpadding="1" width="600" align="left" summary="" border="1"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td&gt;&lt;img height="200" alt="" width="266" src="http://www.grandson.ch/UserFiles/Image/chateau270.jpg" /&gt;&lt;/td&gt;&lt;td&gt;&lt;a href="http://www.chateau-grandson.ch/"&gt;&lt;font color="#000080"&gt;Chateau Grandson&lt;/font&gt;&lt;/a&gt;&lt;br /&gt; "Forteresse médiévale (XIe - XIVe), monument historique d'importance nationale, le Château de Grandson offre au public ses expositions permanentes: armes et armures anciennes, pièces d'artillerie et maquettes de batailles, musée régional et lacustre, de même que son musée des automobiles (Oldtimer) avec la célèbre Rolls Royce blanche de Greta Garbo et la voiture de Sir Winston Churchill" &lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:butorina:5945</id>
    <link rel="alternate" type="text/html" href="http://butorina.livejournal.com/5945.html"/>
    <link rel="self" type="text/xml" href="http://butorina.livejournal.com/data/atom/?itemid=5945"/>
    <title>Etretat - 28 July 2007</title>
    <published>2007-07-30T11:09:23Z</published>
    <updated>2007-07-30T11:12:50Z</updated>
    <content type="html">One of my most favourite towns in the world is Etretat, the true heart of Normandy. I discovered it thanks to my Dad, son of a sailor, a great traveller in love with the sea. I was sixteen then, and this cosy little town impressed me so much, that I decided for sure to buy a house in Etretat by the age of 60 and spend the end of my life there) &lt;br /&gt;&lt;br /&gt;Later, I found out, that my beloved impressionists share this passion for Etretat! Claude Monet, Eugene Bodin, Gustave Courbet came to Etretat to paint its gorgeous cliffs and maybe even have a bowl of &lt;em&gt;moules au creme avec des frites &lt;/em&gt; just like there admires do now! &lt;br /&gt;&lt;br /&gt;Etretat is a source of inspiration for different generations: here and there you can find young talents as well as retired ladies and gentlemen standing on the hills in front of their easels and looking into the distance peacefully..&lt;br /&gt;&lt;br /&gt;&lt;img height="240" width="300" alt="" src="http://peintres.celebres.free.fr/AA_IMG/monet6.jpg" /&gt; &lt;img height="240" width="320" alt="" src="http://pics.livejournal.com/butorina/pic/0001zczk" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img height="240" width="320" alt="" src="http://pics.livejournal.com/butorina/pic/000204k3" /&gt; &lt;img height="240" width="300" alt="" src="http://www.rouillac.com/images/oeuvres/lesbelles/images/monet.jpg" /&gt;&lt;br /&gt;&lt;a name="cutid1"&gt;&lt;/a&gt;&lt;br /&gt;&lt;img alt="" src="http://pics.livejournal.com/butorina/pic/00022aee" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img alt="" src="http://pics.livejournal.com/butorina/pic/0002157z" /&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:butorina:5766</id>
    <link rel="alternate" type="text/html" href="http://butorina.livejournal.com/5766.html"/>
    <link rel="self" type="text/xml" href="http://butorina.livejournal.com/data/atom/?itemid=5766"/>
    <title>Madame Recamier - Louvre, 25 July 2007</title>
    <published>2007-07-27T14:57:49Z</published>
    <updated>2007-07-27T15:04:41Z</updated>
    <content type="html">Paintings of Jacques Louis David are known all over the world and I do love them, but they were something like common knowledge for me. However, yestarday I visited Les Grands Formats salle in Louvre and was more than impressed by his Madame Recamier! Why haven't I seen it before? &lt;br /&gt;&lt;br /&gt;This painting has an outstanding force, everythings seems attractive and seducing in it - a beautiful young woman with an exigent attitude, gâtée et capricieuse and a perfect couch by Jacob-Desmalter........ &lt;br /&gt;&lt;br /&gt;They say, Madame Recamier was only at 28 sittings, after which she had a stormy quarrel with the Master and never came again. That's why the portrait remained unfinished.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;img height="350" alt="" width="513" src="http://upload.wikimedia.org/wikipedia/commons/1/1e/Madame_R%C3%A9camier_painted_by_Jacques-Louis_David_in_1800.jpg" /&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:butorina:5527</id>
    <link rel="alternate" type="text/html" href="http://butorina.livejournal.com/5527.html"/>
    <link rel="self" type="text/xml" href="http://butorina.livejournal.com/data/atom/?itemid=5527"/>
    <title>Munich Airport - 21 July 2007</title>
    <published>2007-07-27T14:19:13Z</published>
    <updated>2007-07-27T14:22:00Z</updated>
    <content type="html">Last week I went to Munich to manage a project for L.E.K. consulting group and was totally enchanted with that gorgeous city! &lt;br /&gt;Its business culture and amiable spirit, North and South, Marienplatz and Allianz Arena coexist perfectly in Munich -&amp;gt; and in my heart now as well!&lt;br /&gt;&lt;br /&gt;Maybe I just need to become a business-lady&lt;br /&gt;&lt;br /&gt;&lt;img alt="" src="http://pics.livejournal.com/butorina/pic/0001s4zg" /&gt;&lt;br /&gt;&lt;a name="cutid1"&gt;&lt;/a&gt;&lt;br /&gt;&lt;img alt="" src="http://pics.livejournal.com/butorina/pic/0001ww10" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img alt="" src="http://pics.livejournal.com/butorina/pic/0001ydwe" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img alt="" src="http://pics.livejournal.com/butorina/pic/0001xyb5" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img alt="" src="http://pics.livejournal.com/butorina/pic/0001tkpp" /&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:butorina:5170</id>
    <link rel="alternate" type="text/html" href="http://butorina.livejournal.com/5170.html"/>
    <link rel="self" type="text/xml" href="http://butorina.livejournal.com/data/atom/?itemid=5170"/>
    <title>Rodchenko au Musee d’Art moderne de la Ville de Paris</title>
    <published>2007-07-09T12:06:36Z</published>
    <updated>2007-07-09T12:11:50Z</updated>
    <content type="html">&lt;font color="#000000"&gt;&lt;p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"&gt;&lt;o:p&gt;"Le Musee d’Art moderne de la Ville de Paris presente, en collaboration avec &lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="MARGIN: 0cm 0cm 0pt"&gt;&lt;o:p&gt;La Maison de la photographie de Moscou, une retrospective de l'ouuvre photographique d’Alexandre Rodtchenko (1891-1956), &lt;strong&gt;figure emblematique de l’avant-garde sovietique revolutionnaire." &lt;br /&gt;&lt;/strong&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;/font&gt;&lt;br /&gt;Сейчас в Париже проходит выставка Александра Родченко, пользующаяся огромной популярностью у прессы и всех любителей фотографии. &lt;br /&gt;Для меня эта выставка стала, в первую очередь, воспоминаниями о Маме и о ее детсве. О старой Москве, которой я никогда не видела и о Владимире Маяковском, чьи стихи я помню очень плохо. &lt;br /&gt;Сразу решила все перечитать. &lt;br /&gt;Великий мастер! Благодаря ему и таким, как он, русские с гордостью говорят в Париже о своей национальности.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://pics.livejournal.com/butorina/pic/0001rk4h/"&gt;&lt;img height="200" alt="" width="327" border="0" src="http://pics.livejournal.com/butorina/pic/0001rk4h/s320x240" /&gt;&lt;/a&gt; &lt;br /&gt;&lt;a name="cutid1"&gt;&lt;/a&gt;&lt;div class="ljcut" text="Read more..."&gt;&lt;br /&gt;&lt;img height="267" alt="" width="396" src="http://www.donaldnealmckay.com/sharedImages/Steps-Rodchenko.jpg" /&gt; &lt;img alt="" src="http://museum.rsuh.ru/archive/2003/rodchenko.jpg" /&gt; &lt;br /&gt;&lt;br /&gt;&lt;img height="350" alt="" width="241" src="http://www.sujet.ru/rodchenko/pics/rodchenko_19.jpg" /&gt; &lt;img height="350" alt="" width="254" src="http://digicam.ru/images/articles/STech/10-20060505165555.jpg" /&gt;&lt;/div&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:butorina:4933</id>
    <link rel="alternate" type="text/html" href="http://butorina.livejournal.com/4933.html"/>
    <link rel="self" type="text/xml" href="http://butorina.livejournal.com/data/atom/?itemid=4933"/>
    <title>butorina @ 2007-07-02T18:20:00</title>
    <published>2007-07-02T14:51:08Z</published>
    <updated>2007-07-02T14:53:57Z</updated>
    <content type="html">That's how Bill Ruprecht, Sotheby's CEO,&amp;nbsp;sees the difference between two main auction houses&amp;nbsp;&lt;br /&gt;&lt;em&gt;(Financial Times: June, 4)&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;table cellspacing="1" cellpadding="1" width="630" align="left" summary="" border="0"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td&gt;&lt;strong&gt;&lt;img alt="" src="http://www.sothebys.com/images/header/nav_logo.gif" /&gt;&lt;/strong&gt;&lt;/td&gt;&lt;td&gt;&lt;strong&gt;&lt;img height="36" alt="" width="177" src="http://www.christies.com/images/marquee/new/christies_logo.gif" /&gt;&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;1) Bill Ruprecht&lt;/td&gt;&lt;td&gt;1) Ed Dolman&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;2)Best pieces of art are sold in the world capitals several times a year&lt;/td&gt;&lt;td&gt;2) Lots of small sales both in big cities and in regional centres&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;3) Sotheby's = Porche&lt;/td&gt;&lt;td&gt;3) Christie's = Volkswagen&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;4) Tailor the actions to customers' wiches&lt;/td&gt;&lt;td&gt;4) march towards scale&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;5) Minimum of staff deals with very expensive pieces of &amp;nbsp;art&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;br /&gt;&lt;/td&gt;&lt;td&gt;5) Hundreds of employers selling thousands of&amp;nbsp;cheap things&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:butorina:4673</id>
    <link rel="alternate" type="text/html" href="http://butorina.livejournal.com/4673.html"/>
    <link rel="self" type="text/xml" href="http://butorina.livejournal.com/data/atom/?itemid=4673"/>
    <title>WANTED PARIS basic info</title>
    <published>2007-07-02T09:34:07Z</published>
    <updated>2007-07-26T10:04:12Z</updated>
    <content type="html">&lt;img hspace="6" border="0" align="left" src="http://pics.livejournal.com/butorina/pic/0001b073/s640x480" alt="" /&gt; &lt;i&gt;&lt;b&gt;"Buy a limited edition photo without going bankrupt? Not long ago several new galleries were launched, inviting amateurs to the fascinating world of art-photography and collecting; both on and off line."&amp;nbsp;&lt;/b&gt;&lt;/i&gt;&lt;br /&gt;L'Express Styles, april 2007&lt;br /&gt;&lt;br /&gt;&lt;i&gt;&lt;b&gt;"The gallery knows how to seduce recognized photographs as Kimiko Yoshida and Les Krims, making at the same time vigorous efforts to develop new talents as Lucia Zegada or Cédric Delsaux."&lt;/b&gt;&lt;br /&gt;&lt;/i&gt;Home magazine, january 2007&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;"The most happening scene in town. WantedParis, a new gallery, has become the meeting point for young photography lovers..."&lt;/i&gt;&lt;br /&gt;&lt;/b&gt;France today (USA), novembre 2006&lt;br /&gt;&lt;br /&gt;&lt;li&gt;&lt;u&gt;What do I do in the gallery?&lt;br /&gt;&lt;/u&gt;Team Assistant: participation in realization of marketing strategy, commercial prognosis, organization of exhibitions,&amp;nbsp;reception of the&amp;nbsp;clients, press relations, collaboration with the&amp;nbsp;artistic direction, negotiations with international partners. &lt;br /&gt;&lt;br /&gt;&lt;/li&gt;&lt;li&gt;&lt;u&gt;Extrait de ma lettre de motivation&lt;/u&gt;&lt;br /&gt;"Vivement intéressée par l’image de votre société, j’ai décidé, pour la stage que je dois effectuer, de placer Wanted Paris comme priorité dans mon parcours professionel, parce que vous êtes une structure dynamique et vous offrez créativité et style. Initiative, dotée d’un sens des responsabilités, je pense pouvoir contribuer au développement de Wanted Paris, puisque j’eprouve un grand intérêt pour l’art et je suis capable de mener de front plusieurs projets en urgence". &lt;br /&gt;&lt;br /&gt;&lt;a name="cutid1"&gt;&lt;/a&gt;&lt;div class="ljcut" text="Wanted Paris press-release"&gt;&lt;img src="http://pics.livejournal.com/butorina/pic/0001q6aw" alt="" /&gt;&lt;/div&gt;&lt;/li&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:butorina:4356</id>
    <link rel="alternate" type="text/html" href="http://butorina.livejournal.com/4356.html"/>
    <link rel="self" type="text/xml" href="http://butorina.livejournal.com/data/atom/?itemid=4356"/>
    <title>WEEGEE vernissage, musée Maillol</title>
    <published>2007-06-20T15:20:56Z</published>
    <updated>2007-06-20T15:47:15Z</updated>
    <content type="html">&lt;a href="http://pics.livejournal.com/butorina/pic/0001cfw9/"&gt;&lt;img height="131" alt="" hspace="6" width="131" align="left" border="0" src="http://pics.livejournal.com/butorina/pic/0001cfw9" /&gt;&lt;/a&gt;&lt;em&gt;"5,000 crimes, 10 appareils photo et 5 voitures sont les chiffres avancés par Weegee (1899-1968)..." &lt;br /&gt;Paris-Match №3030 / Juin, 14&lt;/em&gt;&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Yestarday I&amp;nbsp;visited the vernissage of Weegee exhibiton, organised by Diana Vierny foundation at the Maillol museum. There 228 photos form &lt;font size="2"&gt;Hendrik Berinson's collection were presented.&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;There's something very special about his photos -&amp;nbsp;Weegee worked for police and was always the first one to take photos of corpses, buildings on fire, homeless kids and drunk beggars - nevertheless, his works are most often full of humour and wittiness. They are never tragic, they don't depress you, quite the contrary: the give an inspiration. &lt;br /&gt;I just couldn't take my eyes off them, especially the gangster series!&amp;nbsp;&lt;br /&gt;&amp;nbsp;&lt;br /&gt;A period of "seeing again" my favourite pieces of art, finally.&amp;nbsp;The fact of having already seen&amp;nbsp;an exhibition elsewhere makes me extremely happy now -&amp;nbsp;It's a real joy to have an opportunity to&amp;nbsp; learn&amp;nbsp;more&amp;nbsp;facts and notice new details about the same&amp;nbsp;pieces of art.&amp;nbsp;&lt;br /&gt;I saw&amp;nbsp;Weegee's works&amp;nbsp;in my favourite &lt;a href="http://www.tatintsian.com/moscow_recent_4.html"&gt;&lt;font color="#333399"&gt;Gary Tatintsian, INC&lt;/font&gt;&lt;/a&gt; gallery&amp;nbsp;for the first time and&amp;nbsp;I guess, that's where my opinion about the contemporary art was formed. &lt;br /&gt;&lt;br /&gt;&lt;img height="225" alt="" width="265" src="http://weblog.bezembinder.nl/436-450/weegee.jpg" /&gt; &lt;a href="http://pics.livejournal.com/butorina/pic/0001fcb0/"&gt;&lt;img height="225" alt="" width="281" border="0" src="http://pics.livejournal.com/butorina/pic/0001fcb0/s320x240" /&gt;&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;a href="http://pics.livejournal.com/butorina/pic/0001dy18/"&gt;&lt;img height="225" alt="" width="299" border="0" src="http://pics.livejournal.com/butorina/pic/0001dy18/s320x240" /&gt;&lt;/a&gt; &lt;a href="http://pics.livejournal.com/butorina/pic/0001eys5/"&gt;&lt;img height="225" alt="" width="301" border="0" src="http://pics.livejournal.com/butorina/pic/0001eys5" /&gt;&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;a name="cutid1"&gt;&lt;/a&gt;&lt;div class="ljcut" text="Read more..."&gt;&lt;a href="http://pics.livejournal.com/butorina/pic/0001g0se/"&gt;&lt;img height="225" alt="" width="301" border="0" src="http://pics.livejournal.com/butorina/pic/0001g0se" /&gt;&lt;/a&gt; &lt;a href="http://pics.livejournal.com/butorina/pic/0001hxt3/"&gt;&lt;img height="225" alt="" width="301" border="0" src="http://pics.livejournal.com/butorina/pic/0001hxt3" /&gt;&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;a href="http://pics.livejournal.com/butorina/pic/0001kb8p/"&gt;&lt;/a&gt;&lt;img height="225" alt="" width="292" src="http://heyho.free.fr/images-photographes/Weegee.jpg" /&gt; &lt;a href="http://pics.livejournal.com/butorina/pic/0001p9fz/"&gt;&lt;img height="225" alt="" width="300" border="0" src="http://pics.livejournal.com/butorina/pic/0001p9fz" /&gt;&lt;/a&gt;&lt;/div&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:butorina:4194</id>
    <link rel="alternate" type="text/html" href="http://butorina.livejournal.com/4194.html"/>
    <link rel="self" type="text/xml" href="http://butorina.livejournal.com/data/atom/?itemid=4194"/>
    <title>Villa Savoye - wondereful, gorgeous!</title>
    <published>2007-06-20T14:07:23Z</published>
    <updated>2007-06-20T15:49:11Z</updated>
    <content type="html">&lt;a href="http://pics.livejournal.com/butorina/pic/00017zf2/"&gt;&lt;img height="240" alt="" hspace="3" width="320" align="left" border="0" src="http://pics.livejournal.com/butorina/pic/00017zf2/s320x240" /&gt;&lt;/a&gt;Раньше мне казалось, что привычные вещи существовали всегда - я не задавалась вопросом, откуда они появились и благодаря чему стали привычными. &lt;br /&gt;&lt;br /&gt;По-новому взглянуть на этот вопрос мне помогла архитектура и дизайн французского архитектора Ле Корбюзье, одного из основателей модернизма. Именно он начал внедрять в архитектуру плоские покрытия, ленточные окна, открытые опоры в нижних этажах зданий и свободную планировку. Идеи и открытие Ле Корбюзье в целом оказали значительное влияние на архитектуру ХХ века. &lt;br /&gt;&lt;br /&gt;На прошлых выходных я съездила в городок Пуасси, где находится одна из известнейших вилл Ле Корбюзье - Вилла Савой. Для ее осмотра потребовалось не больше часа, и это был именно тот случай, когда небольшая выставка производит грандиозное впечатление. &lt;br /&gt;&lt;br /&gt;Вилла была построена как загородный дом для семьи парижского брокера, впоследствии сильно пострадала во время Второй мировой войны и наконец, лишь в конце 90х годов была признана национальным архитектурным памятником и полностью отреставрирована. &lt;br /&gt;&lt;br /&gt;Больше всего мне понравилось гармония правильных геометрических форм и потоков света, заполнивших весь дом. Благодаря небольшим размерам комнат и витиеватой планировке, у меня сразу возникло ощущение уюта. Вилла запомнилась мне трема цветами - синим, зеленым и белым. Парящая в воздухе постройка соединяла лужайку и небо воедино. &lt;br /&gt;&lt;br /&gt;&lt;a href="http://pics.livejournal.com/butorina/pic/0000xzdq/"&gt;&lt;img height="225" alt="" width="293" border="0" src="http://pics.livejournal.com/butorina/pic/0000xzdq/s320x240" /&gt;&lt;/a&gt; &lt;a href="http://pics.livejournal.com/butorina/pic/0000ydce/"&gt;&lt;img height="225" alt="" width="293" border="0" src="http://pics.livejournal.com/butorina/pic/0000ydce/s320x240" /&gt;&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;На вилле практически не сохранилось никакой мебели, и поэтому мне показалась остроумной идея попробовать воссоздать интерьер виллы с помощью произведений современных дизайнеров. Их диваны, шезлонги, лампы и этажерки отражали замыслы Ле Корбюзье и&amp;nbsp;отлично вписывались в общий замысел.&amp;nbsp;&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Замечательная поездка, изменившая мое представление об архитектуре:&amp;nbsp; теперь "просто" не значит для меня&amp;nbsp;"легко". скорее оно значит "восхитительно". &lt;br /&gt;&lt;br /&gt;&lt;a href="http://pics.livejournal.com/butorina/pic/00012qex/"&gt;&lt;img height="225" alt="" width="293" border="0" src="http://pics.livejournal.com/butorina/pic/00012qex/s320x240" /&gt;&lt;/a&gt; &lt;a href="http://pics.livejournal.com/butorina/pic/0000zssw/"&gt;&lt;img height="225" alt="" width="293" border="0" src="http://pics.livejournal.com/butorina/pic/0000zssw/s320x240" /&gt;&lt;/a&gt; &lt;br /&gt;&lt;a name="cutid1"&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://pics.livejournal.com/butorina/pic/00011hyh/"&gt;&lt;img height="225" alt="" width="300" border="0" src="http://pics.livejournal.com/butorina/pic/00011hyh/s320x240" /&gt;&lt;/a&gt; &lt;a href="http://pics.livejournal.com/butorina/pic/00010c4d/"&gt;&lt;img height="225" alt="" width="320" border="0" src="http://pics.livejournal.com/butorina/pic/00010c4d/s320x240" /&gt;&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;a href="http://pics.livejournal.com/butorina/pic/00018hhp/"&gt;&lt;img height="225" alt="" width="320" border="0" src="http://pics.livejournal.com/butorina/pic/00018hhp/s320x240" /&gt;&lt;/a&gt; &lt;a href="http://pics.livejournal.com/butorina/pic/0001344x/"&gt;&lt;img height="225" alt="" width="300" border="0" src="http://pics.livejournal.com/butorina/pic/0001344x/s320x240" /&gt;&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;a href="http://pics.livejournal.com/butorina/pic/00015ac2/"&gt;&lt;img height="240" alt="" width="180" border="0" src="http://pics.livejournal.com/butorina/pic/00015ac2/s320x240" /&gt;&lt;/a&gt; &lt;a href="http://pics.livejournal.com/butorina/pic/00014xxf/"&gt;&lt;img height="240" alt="" width="180" border="0" src="http://pics.livejournal.com/butorina/pic/00014xxf/s320x240" /&gt;&lt;/a&gt; &lt;a href="http://pics.livejournal.com/butorina/pic/00016q7q/"&gt;&lt;img height="240" alt="" width="180" border="0" src="http://pics.livejournal.com/butorina/pic/00016q7q/s320x240" /&gt;&lt;/a&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:butorina:4024</id>
    <link rel="alternate" type="text/html" href="http://butorina.livejournal.com/4024.html"/>
    <link rel="self" type="text/xml" href="http://butorina.livejournal.com/data/atom/?itemid=4024"/>
    <title>MODERN vs CONTEMPORARY</title>
    <published>2007-06-14T16:18:47Z</published>
    <updated>2007-06-14T16:49:17Z</updated>
    <content type="html">&lt;p&gt;I always had difficulties with definig this difference, so here is a table that helped me.&amp;nbsp;&lt;br /&gt;This vision may be subjective.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;table cellspacing="3" cellpadding="1" width="600" align="left" summary="" border="0"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td&gt;&lt;strong&gt;MODERN ART&lt;/strong&gt;&lt;/td&gt;&lt;td&gt;&lt;strong&gt;CONTEMPORARY ART&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;&lt;li&gt;Late 1800s to the late 1900s&lt;/li&gt;&lt;/td&gt;&lt;td&gt;&lt;li&gt;Art, that is being currently produced &lt;/li&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;&lt;li&gt;Art, that by the overall opinions of museums and &amp;nbsp;critics became a part of history&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&amp;nbsp;&amp;nbsp;&lt;img height="249" width="300" alt="" src="http://www.ludorff.com/pics/poliakoff/composition.jpg" /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/li&gt;&lt;/td&gt;&lt;td&gt;&lt;li&gt;has not yet achieved that important status of modern art, but may very well do some day&lt;br /&gt;&lt;br /&gt;&lt;img height="249" width="300" alt="" src="http://www.peterhalley.com/images/artists/halley/PAINTINGS/index%20to%202005-present/PHP-06-22.gif" /&gt;&lt;/li&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/p&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:butorina:3630</id>
    <link rel="alternate" type="text/html" href="http://butorina.livejournal.com/3630.html"/>
    <link rel="self" type="text/xml" href="http://butorina.livejournal.com/data/atom/?itemid=3630"/>
    <title>Richard Kalvar</title>
    <published>2007-06-13T16:32:29Z</published>
    <updated>2007-06-13T16:33:15Z</updated>
    <content type="html">"His images frequently play on a discrepancy between the banality of a real situation and a feeling of strangeness that emerges from a particular choice of timing and framing. What results is a state of tension between two levels of interpretation, attenuated by a touch of irony" - &lt;a href="http://www.magnumphotos.com/archive/C.aspx?VP=XSpecific_MAG.PhotographerDetail_VPage&amp;amp;l1=0&amp;amp;pid=2K7O3R135GR6&amp;amp;nm=Richard%20Kalvar"&gt;&lt;font color="#333399"&gt;Magnum Photos&lt;/font&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://pics.livejournal.com/butorina/pic/0000qr35/"&gt;&lt;img height="212" alt="" width="320" border="0" src="http://pics.livejournal.com/butorina/pic/0000qr35/s320x240" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://pics.livejournal.com/butorina/pic/0000r0df/"&gt;&lt;img height="214" alt="" width="320" border="0" src="http://pics.livejournal.com/butorina/pic/0000r0df/s320x240" /&gt;&lt;/a&gt;&lt;br /&gt;&amp;nbsp;&lt;a href="http://pics.livejournal.com/butorina/pic/0000srfg/"&gt;&lt;img height="213" alt="" width="320" border="0" src="http://pics.livejournal.com/butorina/pic/0000srfg/s320x240" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://pics.livejournal.com/butorina/pic/0000ta31/"&gt;&lt;img height="213" alt="" width="320" border="0" src="http://pics.livejournal.com/butorina/pic/0000ta31/s320x240" /&gt;&lt;/a&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:butorina:3518</id>
    <link rel="alternate" type="text/html" href="http://butorina.livejournal.com/3518.html"/>
    <link rel="self" type="text/xml" href="http://butorina.livejournal.com/data/atom/?itemid=3518"/>
    <title>"Anyone can do what I do" - my favourite quotes from the "Giant size" book</title>
    <published>2007-06-13T14:18:42Z</published>
    <updated>2007-06-13T14:30:03Z</updated>
    <content type="html">&lt;img height="300" hspace="5" width="245" align="left" border="2" alt="" src="http://data.kataweb.it/kpm2xlx/field/foto/foto/8101" /&gt; &lt;br /&gt;&lt;li&gt;But why should I be original? Why can’t I be non-original?&lt;br /&gt;&lt;/li&gt;&lt;li&gt;I never read, I just look at pictures. &lt;/li&gt;&lt;li&gt;The artificial fascinates me, the bright and shiny. &lt;/li&gt;&lt;li&gt;I guess, I’ve been influenced by everybody. But that’s good. That’s pop. &lt;/li&gt;&lt;li&gt;Do you know that Campbell’s Soup Co. has not sent me a single can of soup? &lt;/li&gt;&lt;li&gt;If somebody faked my art, I couldn’t identify it. &lt;/li&gt;&lt;li&gt;I think that’s the best thing in life: keeping busy. &lt;/li&gt;&lt;li&gt;I was never embarrassed about asking someone, literally, “what should I paint?” Because Pop comes from outside, and how is asking someone for ideas any different from looking for them in the magazines? &lt;/li&gt;&lt;li&gt;I think, every painting should be the same size and the same color so they’re all interchangeable and nobody thinks they have a better painting or a worse painting. &lt;/li&gt;&lt;li&gt;I don’t think less is more. More is better. Big paintings cost more than little paintings, and magazines pay by word. &lt;/li&gt;&lt;li&gt;I like painting on the square because you don’t have to decide whether it should be longer-longer or shorter-shorter or longer-shorter: it’s just a square. &lt;/li&gt;&lt;li&gt;I only slept two-three hours a night from ’65 to ’67, but I used to see people who hadn’t slept for days and they’d say things like “I’m hitting my ninth day and it’s glorious!” &lt;/li&gt;&lt;li&gt;Silver makes everything disappear. &lt;/li&gt;&lt;li&gt;I’m the type who’d like to sit home and watch every party that I’m invited to on a monitor in my bedroom. &lt;/li&gt;&lt;li&gt;I have Social disease. I have to go out every night. &lt;/li&gt;&lt;li&gt;Everyone is rich. Everyone and everything is interesting. &lt;/li&gt;&lt;li&gt;I love it when you ask actors “what’re you doing now?” And they say “I’m between roles”. To be living “life between roles” that’s my favourite.&lt;/li&gt;</content>
  </entry>
</feed>
